PRESS
Robyn Marie Lamp’s soprano voice was firm and resonant . . . Lamp was most effective in the sections where the narrative turns to thoughts of death and eternity. Her vocal power conveyed the hymn-infused vision of the afterlife.
-Lawrence Budman
SOUTH FLORIDA CLASSICAL REVIEW
March
2019
MUSIC WORCESTER
May
2018
“Robyn Lamp has a radiant soprano voice which she handles with great expertise and ease. She plucked bell-like high As, Bs and Cs out of some celestial sphere, always interpreting the text with deep-felt emotion; her interpretation of the line “I am made to tremble and fear” was truly affecting.”
-Joyce Tamer
WORCESTER TELEGRAM
“The soprano Robyn Marie Lamp brought immense warmth and an ability to spin long lines of melody to “Ihr habt nun Traurigkeit,” sustaining long crescendos and pouring emotion into her singing without overdoing it”
-David Fleshler
MASTER CHORALE OF SOUTH FLORIDA
SOUTH FLORIDA CLASSICAL REVIEW
“Robyn Marie Lamp, as Imogene’s confidante Adele, displayed an ample spinto soprano that suggested a bel canto diva in the making.”
-Fred Cohn
OPERA NEWS
“Yet, even here the audience had a chance to hear Robyn Marie Lamp’s smooth and rich voiced Adele. She was the best of the evening’s cast of secondary characters and is certainly someone to watch.”
-Gregory Moomjy
BACHTRACK
“In supporting roles, the soprano Robyn Marie Lamp…were all excellent.”
-Anthony Tommasini
THE NEW YORK TIMES
July
2017
ADELE in BELLINI'S IL PIRATA
PHOTO CREDIT: GABE PALACIO
July
2017
CARAMOOR CENTER FOR MUSIC AND THE ARTS
“Among the singers, Robyn Lamp stood out for her ample, exciting soprano, showing mature musicianship and a budding Verdi voice in the “Crucifixus.”
-Judith Malafronte
OPERA NEWS
“Soprano Robyn Marie Lamp, as Romaine, had a large and attractive voice, well-suited for her big aria and very useful in combination with those of Olivia and Matthew. She came across with warmth and personality.”
- Greg Stephanich
THE PALM BEACH ARTS PAPER
Sept
2016
ROMAINE PATTERSON in the world premiere of Michael Ross' NOT IN MY TOWN
PHOTO CREDIT: HANK HENLEY
Sept
2013
BOSTON OPERA COLLABORATIVE
"An entirely opposite mood infused the following piece, “Glück, das mir verbleib” from Korngold’s Die tote Stadt. Here, soprano Robyn Lamp navigated the change by walking onstage in full character, establishing the atmosphere well before the first note sounded on the piano. Following the piano interlude in the middle of this duet-cum-aria, she displayed a wonderful covered sound that blossomed richly as the music ascended."
-Basil Considine
THE BOSTON MUSICAL INTELLIGENCER
