PRESS

Robyn Marie Lamp’s soprano voice was firm and resonant . . . Lamp was most effective in the sections where the narrative turns to thoughts of death and eternity. Her vocal power conveyed the hymn-infused vision of the afterlife.

-Lawrence Budman

SOUTH FLORIDA CLASSICAL REVIEW

March 

2019

MUSIC WORCESTER

May 

2018

“Robyn Lamp has a radiant soprano voice which she handles with great expertise and ease. She plucked bell-like high As, Bs and Cs out of some celestial sphere, always interpreting the text with deep-felt emotion; her interpretation of the line “I am made to tremble and fear” was truly affecting.”
-Joyce Tamer

WORCESTER TELEGRAM

“The soprano Robyn Marie Lamp brought immense warmth and an ability to spin long lines of melody to “Ihr habt nun Traurigkeit,” sustaining long crescendos and pouring emotion into her singing without overdoing it”
-David Fleshler     

MASTER CHORALE OF SOUTH FLORIDA

SOUTH FLORIDA CLASSICAL REVIEW

“Robyn Marie Lamp, as Imogene’s confidante Adele, displayed an ample spinto soprano that suggested a bel canto diva in the making.”
-Fred Cohn

OPERA NEWS

“Yet, even here the audience had a chance to hear Robyn Marie Lamp’s smooth and rich voiced Adele. She was the best of the evening’s cast of secondary characters and is certainly someone to watch.”
-Gregory Moomjy

BACHTRACK

“In supporting roles, the soprano Robyn Marie Lamp…were all excellent.”
-Anthony Tommasini

THE NEW YORK TIMES

July 

2017

ADELE in BELLINI'S IL PIRATA

PHOTO CREDIT: GABE PALACIO

July 

2017

CARAMOOR CENTER FOR MUSIC AND THE ARTS

“Among the singers, Robyn Lamp stood out for her ample, exciting soprano, showing mature musicianship and a budding Verdi voice in the “Crucifixus.” 
-Judith Malafronte

OPERA NEWS

“Soprano Robyn Marie Lamp, as Romaine, had a large and attractive voice, well-suited for her big aria and very useful in combination with those of Olivia and Matthew. She came across with warmth and personality.” 
- Greg Stephanich

THE PALM BEACH ARTS PAPER

Sept

2016

ROMAINE PATTERSON in the world premiere of Michael Ross' NOT IN MY TOWN

PHOTO CREDIT: HANK HENLEY

Sept 

2013

BOSTON OPERA COLLABORATIVE

"An entirely opposite mood infused the following piece, “Glück, das mir verbleib” from Korngold’s Die tote Stadt. Here, soprano Robyn Lamp navigated the change by walking onstage in full character, establishing the atmosphere well before the first note sounded on the piano. Following the piano interlude in the middle of this duet-cum-aria, she displayed a wonderful covered sound that blossomed richly as the music ascended."
-Basil Considine

THE BOSTON MUSICAL INTELLIGENCER

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